Dear Parents
This month is all about movement! No, we
haven't decided to move offices, instead we
thought we would look at a few different aspects
of dance. Jessica McClellan tells us a little of
the history behind Capoeira, as well
as sharing some more information about the
theory behind movement. We also find out the
importance of choreography in the upcoming
production of Alice in Wonderland in an
interview with the Director, Keon Lee. In our
upcoming events we have two specialised workshops
on the theme of dance and movement, 'Capoeira for
Kids' for our ages 8 to 11 and 'Dance, Wriggle
& Roll!' for our children aged 5 to 7. So
before you yourself get moving, please do find
yourself a nice comfortable chair and read this
month's newsletter. Thanks and
regards,
Claire Glover General
Manager |
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A Brief History of
Capoeira
"Capo-what?" I hear you say! You wouldn't be
the first. The truth is the word Capoeira often
receives many a blank stare from the listener. In
the interest of sharing this beautiful, elegant
and original art form with the world here is a
little insight... Capoeira began on
Brazilian soil when slaves who had been brought
from Africa combined their knowledge of different
tribal dances, music traditions and fighting
techniques. During their rare moments of leisure
they began to absorb and combine each other's
culture and a synthesis of movements, music and
dances resulted. So what exactly is
it? The truth is Capoeira is difficult to define.
The terms used such as dance or martial arts, just
don't seem to fit. The truth is it is a mix.
Players come together in a beautiful demonstration
of ebb and flow, with each movement streaming into
the next and forcing the opponent to think ahead
or lose the flow. The key words here are
creativity, improvisation, fantasy, beauty and
imagination. Many people believe
that Capoeira was a form of rebellion for African
slaves, and that it developed as a way for them to
practice their fighting skills without their
captors knowing they were training. But no one
knows for sure. Now recognised as a national sport
in Brazil the game and philosophy are spreading
across the world. We are very lucky to have the
opportunity to experience some of the magic of
Capoeira here at Faust with our specialised
workshop for ages 8 through to 11. Click here for more
information. For more information
about Capoeira please contact Jessica McClellan at
Jessica.McClellan@FaustWorld.com. Back to
top |
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Laban's 8 Principles of
Movement
This month's newsletter is all about movement
and so it seems a good idea to explore the work of
Laban. Just as an actor can use his voice as a
tool to portray character or emotion, he can also
use his physical self in the same way. Many actors
are frightened of moving on stage but an actor who
is comfortable in their body and movements will be
expressive and full of meaning. To help us
understand how to create meaningful movements we
can look to the work of Ruldolf Laban (1879 -
1958) a Hungarian-born German who developed a
system for studying human motion. The research he
conducted connects external movement to internal
impulses. He identified eight "basic efforts"
which use energy in time, speed, weight,
strength and space direction. They
are 1) Press (direct,
sustained and strong) 2)
Wring (indirect, sustained and
strong) 3) Glide (direct,
sustained and light) 4) Float
(indirect, sustained and
light) 5) Thrust (direct,
sudden and strong) 6) Slash
(indirect, sudden and
strong) 7) Dab (direct,
sudden and light) 8) Flick
(indirect, sudden and light) So next
time you move, you might like to think of which of
Laban's 8 principles of movement you are using!
If your child would like to spend some
time focusing more on the movement side of their
acting then they could join our specialised
workshops on either Capoeira (ages 8 to 11) or
dance (ages 4 to 7). Click here for more
information. Back to
top |
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Movement in Theatre: A
Director's Perspective
Movement is really important in our
production of Alice in
Wonderland. While the show is a
dramatic interpretation and not a musical, the
characters are so fantastical that we wanted to
express their madness and expressions vividly. We
wanted them to move in stylistic ways that are
unpredictable and fun for the audience to
watch. We hope to contrast their energetic
movements with the real world and so the
difference must be made clear in larger
choreographed pieces as well as more subtle body
movement.
We've incorporated a lot of dance and
movement into our production in scenes such as the
Cheshire Cat talking to Alice and the final chase
sequence where Alice flees from Wonderland. It's
such a mad story and the Creative Team and
the Choreographer (Jenny Lee) are having lots
of fun working out what crazy ways we can stage
the actors. The cast has been amazing in trying
out all different sorts of movement. We've even
tried non-traditional movements like
Capoeira to help us think outside the box and
expand the ways we can use movement in this
production. Movement and inspiration for
movement can come from anywhere. I was inspired by
recent television shows like So You Think
You Can Dance,
videos from dance companies,
other theatre productions and music from a
great variety of sources. I am also inspired by
our cast members, many of whom are already
talented in ballet, dance and acting and have
developed new movement and staging based on their
expertise. If you are interested in watching
Alice in Wonderland, tickets are now on
sale for our performances on 21-24 January.
Click here for more
infomation.
Keon Lee, Director of Alice in
Wonderland Back to
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Coming Soon
Friday 13th
November
Dance, Wriggle
& Roll! Workshop
Click here
for a registration form
Monday 23rd
November
No Faust at
HKIS
Friday 27th
November
Specialised
Workshop: Capoeira for Kids
Click here for a registration
form
Alice in
Wonderland Priority Booking
Deadline
Click here for a booking
form
Tuesday 1st
December Term 2 Renewal
Deadline Saturday
5th December
Saturday 12th December
End of Term
1 |
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Season 11 Calender of
Events!
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What would you like to see in the next
Faust Newsletter?
Editor & Designer: Joyce To
Contributors: Aarti Hemnani, Jessica
McClellan and Claire Glover | |