Nov top
8
Faust International Youth Theatre Newsletter
HomeVol. 2 No. 6 November 6th 2009
 
Dear Parents
This month is all about movement! No, we haven't decided to move offices, instead we thought we would look at a few different aspects of dance. Jessica McClellan tells us a little of the history behind Capoeira, as well as sharing some more information about the theory behind movement. We also find out the importance of choreography in the upcoming production of Alice in Wonderland in an interview with the Director, Keon Lee. In our upcoming events we have two specialised workshops on the theme of dance and movement, 'Capoeira for Kids' for our ages 8 to 11 and 'Dance, Wriggle & Roll!' for our children aged 5 to 7. So before you yourself get moving, please do find yourself a nice comfortable chair and read this month's newsletter.
Thanks and regards,

Claire Glover
General Manager
 A Brief History of Capoeira
"Capo-what?" I hear you say! You wouldn't be the first. The truth is the word Capoeira often receives many a blank stare from the listener. In the interest of sharing this beautiful, elegant and original art form with the world here is a little insight...
 
Capoeira began on Brazilian soil when slaves who had been brought from Africa combined their knowledge of different tribal dances, music traditions and fighting techniques. During their rare moments of leisure they began to absorb and combine each other's culture and a synthesis of movements, music and dances resulted.
 
So what exactly is it? The truth is Capoeira is difficult to define. The terms used such as dance or martial arts, just don't seem to fit. The truth is it is a mix. Players come together in a beautiful demonstration of ebb and flow, with each movement streaming into the next and forcing the opponent to think ahead or lose the flow. The key words here are creativity, improvisation, fantasy, beauty and imagination.
 
Many people believe that Capoeira was a form of rebellion for African slaves, and that it developed as a way for them to practice their fighting skills without their captors knowing they were training. But no one knows for sure. Now recognised as a national sport in Brazil the game and philosophy are spreading across the world. We are very lucky to have the opportunity to experience some of the magic of Capoeira here at Faust with our specialised workshop for ages 8 through to 11. Click here for more information.
 
For more information about Capoeira please contact Jessica McClellan at Jessica.McClellan@FaustWorld.com
 
Back to top
Laban's 8 Principles of Movement
This month's newsletter is all about movement and so it seems a good idea to explore the work of Laban. Just as an actor can use his voice as a tool to portray character or emotion, he can also use his physical self in the same way. Many actors are frightened of moving on stage but an actor who is comfortable in their body and movements will be expressive and full of meaning. To help us understand how to create meaningful movements we can look to the work of Ruldolf Laban (1879 - 1958) a Hungarian-born German who developed a system for studying human motion. The research he conducted connects external movement to internal impulses. He identified eight "basic efforts" which use energy in time, speed, weight, strength and space direction. They are
1)    Press (direct, sustained and strong)
2)    Wring (indirect, sustained and strong)
3)    Glide (direct, sustained and light)
4)    Float (indirect, sustained and light)
5)    Thrust (direct, sudden and strong)
6)    Slash (indirect, sudden and strong)
7)    Dab (direct, sudden and light)
8)    Flick (indirect, sudden and light)
 
So next time you move, you might like to think of which of Laban's 8 principles of movement you are using!

If your child would like to spend some time focusing more on the movement side of their acting then they could join our specialised workshops on either Capoeira (ages 8 to 11) or dance (ages 4 to 7). Click here for more information.

Back to top
 Movement in Theatre: A Director's Perspective
Movement is really important in our production of Alice inAIW Movement Wonderland. While the show is a dramatic interpretation and not a musical, the characters are so fantastical that we wanted to express their madness and expressions vividly. We wanted them to move in stylistic ways that are unpredictable and fun for the audience to watch. We hope to contrast their energetic movements with the real world and so the difference must be made clear in larger choreographed pieces as well as more subtle body movement.

We've incorporated a lot of dance and movement into our production in scenes such as the Cheshire Cat talking to Alice and the final chase sequence where Alice flees from Wonderland. It's such a mad story and the Creative Team and the Choreographer (Jenny Lee) are having lots of fun working out what crazy ways we can stage the actors. The cast has been amazing in trying out all different sorts of movement. We've even tried non-traditional movements like Capoeira to help us think outside the box and expand the ways we can use movement in this production.

Movement and inspiration for movement can come from anywhere. I was inspired by recent television shows like So You Think You Can Dance, videos from dance companies, other theatre productions and music from a great variety of sources. I am also inspired by our cast members, many of whom are already talented in ballet, dance and acting and have developed new movement and staging based on their expertise. If you are interested in watching Alice in Wonderland, tickets are now on sale for our performances on 21-24 January. Click here for more infomation.
 
Keon Lee, Director of Alice in Wonderland 
 
Back to top
In This Issue
A Brief History of Capoeira
Laban's 8 Principles of Movement
Movement in Theatre: A Director's Perspective
Coming Soon
  
Friday 13th November
Dance, Wriggle & Roll! Workshop
Click here for a registration form 
 
Monday 23rd November
No Faust at HKIS  

Friday 27th November
Specialised Workshop: Capoeira for Kids
Click here for a registration form 
 
Alice in Wonderland Priority Booking Deadline
Click here for a booking form 
 
Tuesday 1st December 
Term 2 Renewal Deadline    


Saturday 5th December
Faust Fundraiser
 
Saturday 12th December 
End of Term 1
Season 11 Calender of Events!
 
Join Our Mailing List!
What would you like to see in the next Faust Newsletter?

 
Editor & Designer: Joyce To
Contributors: Aarti Hemnani, Jessica McClellan and Claire Glover
Faust International Ltd.
5/F, Nan Dao Commercial Building 359 & 361 Queen's Road Central, Sheung Wan
Tel 2547 9114 Fax 2547 9799 Email Info@FaustWorld.com